|
cradlers
of words
©
Marianne Paul
suitcase
not yet unpacked
first
act
netty hides away the plastic flowers
the
nuns have put on the dressers
of
our rooms, shoves the fake roses and carnations and sprigs of
pretender grass
into
the bottom drawer and out of sight
traipses
her pilgrim’s way through the woods of loretto
chooses
flowers and twigs and stems and leaves
with
the delicacy and attention of picking a name
hands
arthritis-thick and gnarled not unlike
the
tree trunks around her
but there is
a
strength in trees and a strength in
netty’s
hands
potter’s hands
poet’s
hands
the strength of pots and poems
fresh
bouquet in her room where
visions
grow on the window ledge
words
fed by the mist of falling water wild and
untamed
like netty dressed
in
the burnt-orange and mustard-yellow
of
august flowers
weeds
by
another’s naming
there is that gospel verse
that
says the plants and rocks will start to sing and
so
netty plucks flowers
while
dianne wears lush green
flowers
spilling across her dress
bright
against the field of her, a gaiety
that
soothes an ending
rescuer
of sickly cats and misfit dogs and abandoned
souls
frets with
affection
over her carnival of characters real and
imagined
stories pinned up and
hung
to dry, plot lines and possibilities and
metaphor
strung across the backyard
of
her mind, flapping/snapping
like
clean sheets in a brisk wind
christine
wants to take a crucifix
off
the wall of the nunnery
as
a memento of our writing retreats
it
is the end times
the
apocalypse of our coming and going
the
convent is for sale
imagine
that!
taking
a crucifix
right
off the wall~
how
off-the-wall of her
sweet
christine, who cradles christ in her name
like
the madonna holds the baby
in
the crook of her arm
we
women, we are cradlers of words
and
each other
wonder
what they will do with the bones
of
sister prudential and sister madeleine and
sister
lidwina and sister othelia and
sister
felicitas and sister elizabeth
divine-
a century and counting
in
the ground
long
enough to get set
in
one’s ways
five
rows of loretto dead
forty-four
sisters hand to hand
and
foot to head small
wrought-iron
crosses
marking their coming
and
going
|